ADRIAN GNAM ICWC
JANUARY 16-19, 2026, ATLANTA
The 36th International Conductors Workshop and Competition is scheduled for January 16-19, 2026 in Atlanta, Georgia. This popular, intensive, well-attended, and well-respected workshop and competition is open to a limited number of conductors at all levels of experience and is based on the techniques of Monteux, Musin, and Szell. With the passing of Maestro Adrian Gnam, the workshop is named in his honor, and Maestro Gregory Pritchard will assume leadership as Director. Hosted by the Gwinnett Symphony Orchestra and governed by its Board of Directors, the ICWC continues its long tradition of excellence in conductor training and professional development.
Each participant will conduct the fully professional ICWC Orchestra for up to 60 minutes throughout the workshop and on a public performance on Martin Luther King Day, Monday, January 19th, 2026. A major benefit of the ICWC may include the selection of one or more winners to conduct on a concert of the Gwinnett Symphony Chamber Orchestra or the Millikin-Decatur Symphony Orchestra during a current or future season, depending on the orchestra and winner’s availability. Appearances and programming are negotiable.
Participant fees are $1,550, which include a high-quality, professionally recorded video of each conductor’s podium sessions. Applications will be accepted until the workshop is filled; however, those submitted by November 9, 2025, will receive priority consideration. Upon notification of acceptance, the full participation fee is due by December 2, 2025. The auditor fee is $150, and there is no application fee.
Past ICWC participants have recently won the Respighi Prize and the George Solti Award, and have gained conducting positions with the Cincinnati, Dallas, Ft. Worth, Dayton, Detroit, New Jersey, Houston, Richmond, Portland (ME), Bozeman, St. Louis, Oregon, Savannah, Greenville, SC, Minnesota, Los Angeles, Hamilton, Canada, Tokyo, and New Zealand Orchestras, as well as positions with college, university, and youth orchestras.
Each participant will conduct the fully professional ICWC Orchestra for up to 60 minutes throughout the workshop and on a public performance on Martin Luther King Day, Monday, January 19th, 2026. A major benefit of the ICWC may include the selection of one or more winners to conduct on a concert of the Gwinnett Symphony Chamber Orchestra or the Millikin-Decatur Symphony Orchestra during a current or future season, depending on the orchestra and winner’s availability. Appearances and programming are negotiable.
Participant fees are $1,550, which include a high-quality, professionally recorded video of each conductor’s podium sessions. Applications will be accepted until the workshop is filled; however, those submitted by November 9, 2025, will receive priority consideration. Upon notification of acceptance, the full participation fee is due by December 2, 2025. The auditor fee is $150, and there is no application fee.
Past ICWC participants have recently won the Respighi Prize and the George Solti Award, and have gained conducting positions with the Cincinnati, Dallas, Ft. Worth, Dayton, Detroit, New Jersey, Houston, Richmond, Portland (ME), Bozeman, St. Louis, Oregon, Savannah, Greenville, SC, Minnesota, Los Angeles, Hamilton, Canada, Tokyo, and New Zealand Orchestras, as well as positions with college, university, and youth orchestras.
ADRIAN GNAM ICWC
REPERTOIRE
REPERTOIRE
January 2026 ICWC Repertoire
Conductors may choose two works from the list below to conduct during ICWC in addition to the required repertoire. An asterisk () denotes required repertoire.*
Barber – Adagio for Strings
Beethoven
DvoĆák – Symphony No. 8 in G Major, Op. 88 (1st movement)
Mendelssohn – Fingal’s Cave Overture
Mozart
J. Strauss, Jr. – Overture to “Die Fledermaus”
Tchaikovsky – Symphony No. 5 in E Minor, Op. 64 (1st movement)
Verdi – Overture to “La Forza del Destino”
January 2026 ICWC Repertoire
Conductors may choose two works from the list below to conduct during ICWC in addition to the required repertoire. An asterisk () denotes required repertoire.*
Barber – Adagio for Strings
Beethoven
- Egmont Overture, Op. 84 *
- Symphony No. 1 in C Major, Op. 21 (4th movement, opening to allegro)* ((not for the concert))
- Symphony No. 5 in C Minor, Op. 67 (1st movement)*
DvoĆák – Symphony No. 8 in G Major, Op. 88 (1st movement)
Mendelssohn – Fingal’s Cave Overture
Mozart
- Overture to “The Magic Flute”
- Symphony No. 39 in E-flat Major, K. 543 (1st movement)
- Symphony No. 41 in C Major, K. 551 (1st and 4th movements)
J. Strauss, Jr. – Overture to “Die Fledermaus”
Tchaikovsky – Symphony No. 5 in E Minor, Op. 64 (1st movement)
Verdi – Overture to “La Forza del Destino”
ADRIAN GNAM ICWC
WINNERS
January 2004
- Nancia D’Alimonte
- Paul Kim
- Gregory Pritchard
- Gregory Pritchard
- Joseph Choi
- Vardan Hakobyan
- William McClain
- Akiko Ohtomo
- Casper Schreiber
- Keitaro Harada / William McClain (honorable mention)
- Amy Wilson
- Keitaro Harada
- William McClain
- Scott Woodward
- Scott Bean
- Keitaro Harada
- Tara Villa Chamra
- Keitaro Harada
- William McClain
- Vera Hui-Pin Hsu
- Hen-Yi Lin
- Ting, Chaowen
- Marcel Geraeds
- Norman Huynh
- Gemma New
- Norman Huynh
- Lee Mills
- Jim Stopher
- Nove Deypalan
- Karin Hendrickson
- Nestor Jaenz
- Michelle Merrill
January 2019
- Jean Gomez
- Charles Patterson
- John Lincourt
- David Tedford
- Paul Schrage
- Christopher Rasmussen
- Kenny Lee
- Scott Gentile
- Pyeongkang Park
- Ho-Yin Kwok
- Yuchi Chou
- David Grandis
- Kin Desmond Siu
- Minchao Cai
- Nickolai Svetlov Podvin
- Nicholas June Han
- Richard Haglund
- Charles Patterson
- Tal Benatar
- Bryan Hall
- James Chang
- Yiwen Shen
- Francois Koh
- Abigail S. Popwell
- Steven Cooler
- Jessica Papi
- Bastien Millo
- Gabriel Gordon
- Joseph Kneer
- Caleb Thompson
- Misaki Hall
- Yifei Joey Sun
- Luis Aguilar
January 2013
- Nove Deypalan
- Jason Ethridge
- Nestor Jaenz
- Jessica Morel
- Sebastian Perlowski
- Jason Ikeem Rodgers
- Eunseok Seo
- Ivan Nuno Guerrero
- Daisuke Nagamine
- Jong-hun Bae
- Dami Baek
- Yongjae Kim
- Nadya Potemkina
- Benjamin Grow
- Kyle Ritenauer
- Sergey Bogza
- Lance Inouye
- H. Lok Kim
- Kira Omelchenko
- Chelsea Tipton
- Pierre-Alain Chevalier
- Francis Ku
- Antoine T. Clark
- Ronald Nash
- Charles Patterson
- Janet Hoover
- Shawn Bennett
- Hector Aquero, Jr
- Jennifer Drake
- Whitt Locke
- Felipe Tristan
- Sung-don Son
- Jongbin Kim
ADRIAN GNAM ICWC
TESTIMONIALS
“I love this workshop! ICWC provides an opportunity for conductors at all stages of their career to really hone their craft and receive wonderful comments and criticisms from the mentors and also the musicians.”
–Keitaro Harada
SAVANNAH PHILHARMONIC Music & Artistic Director
TOKYO SYMPHONY ORCHESTRA Permanent Conductor
AICHI CHAMBER ORCHESTRA Principal Guest Conductor & Artistic Partner
DAYTON PHILHARMONIC ORCHESTRA Music & Artistic Director
“I had the most wonderful time at the International Conductor’s Workshop and Competition. I loved the repertoire, that we were able to explore so many different styles and conducting techniques, and I loved learning more about the analysis of scores and how to communicate in rehearsa, and of course gesturally in concerts.”
–Gemma New
NEW ZEALAND SYMPHONY ORCHESTRA Artistic Advisor and Principal Conductor
“The comradery between all of the fellow conductors at the workshop was really great. I still keep in contact with many of them today through Facebook, through emails, and love seeing them when I’m on the road…I couldn’t be happier to have done this workshop and recommend it to anyone out there. I think it’s a wonderful opportunity to get some great instruction, get some valuable podium time, and also make some wonderful friends.”
–Michelle Merrill
WINSTON SALEM SYMPHONY Music Director
COASTAL SYMPHONY OF GEORGIA Music Director
–Keitaro Harada
SAVANNAH PHILHARMONIC Music & Artistic Director
TOKYO SYMPHONY ORCHESTRA Permanent Conductor
AICHI CHAMBER ORCHESTRA Principal Guest Conductor & Artistic Partner
DAYTON PHILHARMONIC ORCHESTRA Music & Artistic Director
“I had the most wonderful time at the International Conductor’s Workshop and Competition. I loved the repertoire, that we were able to explore so many different styles and conducting techniques, and I loved learning more about the analysis of scores and how to communicate in rehearsa, and of course gesturally in concerts.”
–Gemma New
NEW ZEALAND SYMPHONY ORCHESTRA Artistic Advisor and Principal Conductor
“The comradery between all of the fellow conductors at the workshop was really great. I still keep in contact with many of them today through Facebook, through emails, and love seeing them when I’m on the road…I couldn’t be happier to have done this workshop and recommend it to anyone out there. I think it’s a wonderful opportunity to get some great instruction, get some valuable podium time, and also make some wonderful friends.”
–Michelle Merrill
WINSTON SALEM SYMPHONY Music Director
COASTAL SYMPHONY OF GEORGIA Music Director
ADRIAN GNAM ICWC
MAESTRO GNAM
The International Conductor's Workshop and Competition was founded in 2004 by iconic American conductor Adrian Gnam. With his passing in 2025, the workshop has been renamed, as of the 35th session, the Adrian Gnam International Conductors Workshop and Competition, in honor of his lasting legacy and dedication to the cause of American orchestral music.
Maestro Gnam served the American musical landscape for over 65 years, holding positions either as oboist or Music Director of the entire gamut of American Orchestras-from major to regional, from metropolitan to community. His service as President of the Conductor's Guild elevated it to become the most important conductor's organization in the nation. His eight year tenure as Director of the Music Program at the National Endowment for the Arts, literally transformed the Endowment's service to American Orchestras. On his watch , the endowment became the premier voice of American Orchestras to the U.S. Congress. His vision restructured the Endowment, creating entirely new areas in which orchestras were supported , and in turn, could serve their communities. That vision for how orchestras could be sustained, and could serve the needs of their communities, remains an indelible influence on all orchestras in America, now and into the future. For this service and vision, Maestro Gnam was awarded a special Distinguished Service Award for "outstanding, innovative and precedent-setting contributions to furthering the goals and missions of the Endowment and enhancing the Arts on a national scale."
Deeply committed to the future of music in America, throughout his career Maestro Gnam served the cause of music education. Through his years as an educator at universities throughout the country, and through this International Competition and Workshop, he produced some of the best instrumentalists and conductors of this and the next generation. It is with great pride that we continue the legacy of this giant of American music, in his honor.
Maestro Gnam served the American musical landscape for over 65 years, holding positions either as oboist or Music Director of the entire gamut of American Orchestras-from major to regional, from metropolitan to community. His service as President of the Conductor's Guild elevated it to become the most important conductor's organization in the nation. His eight year tenure as Director of the Music Program at the National Endowment for the Arts, literally transformed the Endowment's service to American Orchestras. On his watch , the endowment became the premier voice of American Orchestras to the U.S. Congress. His vision restructured the Endowment, creating entirely new areas in which orchestras were supported , and in turn, could serve their communities. That vision for how orchestras could be sustained, and could serve the needs of their communities, remains an indelible influence on all orchestras in America, now and into the future. For this service and vision, Maestro Gnam was awarded a special Distinguished Service Award for "outstanding, innovative and precedent-setting contributions to furthering the goals and missions of the Endowment and enhancing the Arts on a national scale."
Deeply committed to the future of music in America, throughout his career Maestro Gnam served the cause of music education. Through his years as an educator at universities throughout the country, and through this International Competition and Workshop, he produced some of the best instrumentalists and conductors of this and the next generation. It is with great pride that we continue the legacy of this giant of American music, in his honor.
ADRIAN GNAM ICWC
DONATE ONLINE
Adrian Gnam International Conductors Workshop and Competition is a division of Gwinnett Symphony, Inc., a nonprofit 501(c)(3) organization dedicated to advancing the art of orchestral conducting and musical performance. Your generous tax-deductible support helps us continue providing world-class educational opportunities for aspiring conductors and fostering artistic excellence in the orchestral community. Contributions are fully tax-deductible as allowed by law. Our EIN is [to be updated]. Thank you for supporting the next generation of conductors!
